From a young age, I was regularly exposed to religious iconography
within a household of religious skepticism.
I grew an appreciation of the physical likeness without blind
acceptance of its message.
My artwork depicts religious undertones showing that the stark
contrast between good and evil is not always clear.
Preconceived notions about the nature of one’s intentions often
cloud a fair assessment of human activity.
The age-old notion of women as the fairer sex, in particular, is
brought into question by the depiction of traditional beauty in
femininity juxtaposed with the conventional strength and defiance of